CONEHEADS / TALENT FOR THE GAME / THE ITSY BITSY SPIDER

by Kinetophone on May 3, 2015

conetalentANIM

Composed and Conducted by DAVID NEWMAN

Trio of rousing David Newman soundtracks, all on one CD! First up is Newman’s nod to Bernard Herrmann with evocative out-of-this-world score for The Coneheads featuring Dan Aykroyd and Jane Curtin reprising their popular roles from NBC’s Saturday Night Live sketches, this time on the 1993 big screen for Paramount Pictures. Steve Barron directs wild tale of extraterrestrials bent on invasion of planet Earth with Newman tipping his hat towards The Day The Earth Stood Still. Signature “tri-tone” throughout (both in melodic intervals, harmonic vernacular) keeps homage in spotlight while moving “Bed Talk” brings touch of warm Americana into play. “Blunt Teeth” allows serious edge while “Return To Earth” brings satisfying resolution to score. Newman brings rousing, dramatic sports vibe to Talent For The Game, directed by Robert Young, starring Edward James Olmos. Newman joins their 1991 baseball game with musical moments both stirring, poignant. Winning Americana! Filling out CD is crisp, punchy Newman score for 7-minute animation short Itsy Bitsy Spider that played in front of 1992 Paramount feature Bebe’s Kids. Witty tale has cute arachnid falling from web into piano pupil’s practice session, bringing wacky exterminator (voiced by Jim Carrey) into zany house-destroying efforts to remove it. Newman uses familiar nursery rhyme as foundation for his own wild, madcap orchestral tour-de-force. All three scores presented in dynamic stereo from mint condition master elements courtesy Paramount. David Newman, Lukas Kendall supervise production with informative liner notes from Andy Dursin. Three musical faces of David Newman! David Newman conducts.

David Newman was firmly established as one of Hollywood’s preeminent composers by the early 1990s, and this album offers a trio of previously unreleased Newman scores: his delightfully retro contribution to the 1993 Paramount comedy Coneheads, a dramatic score from the 1991 baseball drama Talent for the Game, and a wacky underscore for the animated short The Itsy Bitsy Spider (1992).  Each offers a taste of Newman’s redoubtable talent  for composing a perfect score to whatever project came his way.

The Coneheads features a pair of invasion-hungry extraterrestrials who speak in a monotone voice and are instantly recognizable from their large, cone-shaped craniums. En route to taking over the galaxy, the Coneheads crash in New Jersey and are forced to assimilate to life on Earth.  They balance an endless quest for intergalactic domination with raising a daughter a bit more accustomed to terrestrial existence than her parents. Highlighted by a playful homage to Bernard Herrmann’s The Day the Earth Stood Still written in Newman’s signature style, Newman grounds his score with the familiar tritone and ostinato from the Herrmann classic, incorporating electronics and eerie sounds that evoke the musical colors of 1950s science fiction. Newman’s intermittently ethereal music acts as a perfect counterpoint to the film’s slapstick gags.

Director Robert Young’s Talent for the Game (1991) stars Edward James Olmos as Virgil Sweet, a baseball scout for the California Angels. A former player whose own career is cut short before the big leagues, Virgil’s time cultivating prospects for the Major League Baseball franchise has also run out. The Angels’ new owner wants to clean house, but Virgil talks his way into one last chance—provided he can find a legitimate talent. David Newman’s lyrical score is certainly one of the film’s strongest assets, recalling the melodic grandeur of scores like The Natural, Field of Dreams and even Hoosiers, while also underscoring the rural nature of small-town life and the rise from anonymity to a heavily hyped big-league prospect. Introspective, poignant underscoring is the main ingredient of Newman’s work.

Concluding the album is Newman’s delightfully frantic score for The Itsy Bitsy Spider, a comedic, revisionist take on the nursery rhyme. The seven-minute animated short, which played in front of Paramount’s 1992 feature Bebe’s Kids, gave David Newman the opportunity to craft a madcap score in the vein of Carl Stalling’s Looney Tunes shorts.

All told, these premiere presentations of three David Newman scores showcase his compositional diversity and make for a colorful, varied listen.

Label: Intrada Special Collection Volume ISC 318
Date: 1993 / 1991
Time: 72:12
Tracks: 24

 

TRACKLIST

CONEHEADS
01. Opening Credits (3:11)
02. Eating Soap (1:47)
03. Communicator (2:19)
04. Seedling & Eli (2:03)
05. The Symbol (1:58)
06. Phlairndep (1:58)
07. Bed Talk (4:29)
08. What’s With the Head (1:12)
09. The Big Phone (3:01)
10. Human Authority Figures (4:45)
11. Blunt Teeth (3:50)
12. Master Speech (1:45)
13. Return to Earth (2:25)
Total Time: 35:12

 

TALENT FOR THE GAME
14. Traveling Montage (3:26)
15. Rainy Tryout (5:09)
16. The Discovery (1:43)
17. Sammy’s Tryout (1:28)
18. How Good Is My Son? (2:49)
19. Visualize the Target (1:52)
20. Don’t Try So Hard (3:44)
21. Am I Ready? (2:07)
22. Sammy to the Mound (1:27)
23. The Final Out (6:43)
Total Time: 30:47

THE ITSY BITSY SPIDER
24. The Itsy Bitsy Spider (6:00)

Eleni Mitsiaki
— Founder & Editor-in-Chief
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